Storyteller Academy’s 2018 New Year’s Sale

2018 is just around the corner! 2017 has flown by!

Wishing You a Wonderful 2018!

Today I’ve put two of my Storyteller Academy courses on sale until January 5!

Click on the images below to claim your discount, and have a wonderful 2018!

I’ve been working on my own storytelling during the last 2 months. I’m in the process of writing a new novel (my 35th) filled with the things I love: family, the ocean, island living, and the complexities and hidden mysteries of life, love, storytelling and human relationships.

Oh, and I mustn’t forget my wonderful Siberian Husky Winter, who earned herself a role in this story.  My working title for this (35th novel) is Petroglyph Island. 

My plans for the next 3 months are:

  • January: Complete the 1st draft of Petroglyph Island (I’m 2/3 finished now).
  • February: Create 1 or 2 new online courses for storytellers.
  • March: Revise Petroglyph Island (and revise, and revise, and revise again.).

For me, 2017 has been a year filled with changes, new goals, growth and learning for me. Productive, challenging, and fulfilling.

For the New Year, I’d like to offer you …

 

Brilliant Beginnings: SALE
~ 70% OFF until Jan 5, 2018

Discover the Craft of Brilliant Beginnings in Storytelling

  • Learn the powerful techniques great storytellers use to craft brilliant beginnings.
  • Discover the power of body language, dialogue, and narration in building intriguing characters.
  • Learn storytelling elements that stimulate reader anticipation and suspense, and invite your readers into your story world.
  • Understand techniques and elements for worldbuilding, whether your story world is modern, historical, mystery, romance, science-fiction, fantasy, or magic
  • and more…
  • Click the image below for your 70% discount!
Brilliant Beginnings 70% discount - offer expires 5 Jan 2018
Click the image above for your 70% discount!

Playing with Time
~ 65% OFF until Jan 5, 2018

Pacing to Keep Readers Wanting More

  • Learn effective pacing techniques to fine-tune story rhythm while maximizing reader engagement.
  • Learn to identify 3 different kinds of time in storytelling, and the formula that cuts through the confusion of pacing.
  • Master the relationship between the 6 fiction delivery modes and pacing, and control pacing using Scene and Sequel
  • and more …
  • Click the image below for your 65% discount.
Click the image above for your 65% discount!

 

For 2018, I wish you expanding abundance, success, and love.

Vanessa

Playing with Time: use pacing to keep your readers wanting more!

I’m thrilled to announce the release of my new multimedia course on pacing for fiction writers: Playing with Time: use pacing to keep your readers wanting more. 

I’ve had the course open for test readers for a while, and the response is very positive. I’d love it if you’d check out the free introductory videos and let me know what you think.

I hope you’ll check out the free introductory lessons to the course. If you like what you see and want to register, take advantage of my 50% discount coupon by clicking on the link.

Vanessa

Course Contents

In this course, you’ll discover how to use pacing techniques to build tension, emphasize important story events, and keep your readers wanting MORE.

SECTION 1
In Section 1 we’ll explore story pacing with its three different timing clocks, and a formula that can help you control the relationship between time, speed, viewpoint depth, and emotional intensity.

  • Introduction – the Confusion of Pacing
  • The 3 Clocks of Storytelling
  • The Storyteller’s Pacing Formula

SECTION 2
In Section 2 we’ll look at the way a reader’s perception of time fluctuates with the level of excitement, and study techniques you can use to fine-tune pacing and control your readers’ level of excitement.

  • Scenes, Sequels, and Pacing
  • Reader’s Perception of Time and Sequels
  • Pacing Techniques
  • Pacing, Emotional Intensity, and Viewpoint

SECTION 3
In Section 3 we’ll study the effect different writing modes have on pacing, and how you can control pacing using these modes.

  • How to Control Pacing with Fiction Delivery Modes: Dramatic Summary, Dramatic Action, Dialogue, Narration, Description, and Exposition. (Dramatic )

SECTION 4
In Section 4 we’ll explore the structure of Scenes and Sequels more deeply, examining the relationship between Fiction Delivery Modes and Scene and Sequel.

  • Scene and Sequel: the Building Blocks of Fiction
  • Scene and Sequel meets Fiction Delivery Modes
  • Practice Exercise: Analyzing Pacing using Fiction Delivery Modes

I designed this course for writers who want to improve their control over pacing to keep readers wanting more.  The only requirement for enrolment is a willingness to learn.

I’d love to hear feedback on the course.

Have a great day, and may the muse be with you.

Vanessa

If You Loved Me – IDEAS, from SPARK to FICTION

IF YOU LOVED ME - IDEAS, from SPARK to FICTION

Where do I get my ideas?

I first got the idea for Emma, the heroine of my novel IF YOU LOVED ME while searching for a heroine for the “other man” in my novel CATALINA’S LOVER. I was fascinated by the story possibilities of Ricardo’s origins as the son of a turbulent multi-cultural marriage and his career as an archeologist. But when I created Emma as his hero, the requisite spark didn’t happen in my brain, and those two characters’ relationship ended before it began. But I’d given birth to Emma, and she wouldn’t leave me alone. Watch the video to see how a brainstorming session sparked the events that sent my heroine into the wilderness searching for her son – and finding love in the last place she’d ever expect.

I hope you enjoy watching this video, and if you do, I’d love it if you’d subscribe to my YouTube channel and share the video with others. A “like” would come in handy as well.

If you’d like to learn about special offers and upcoming releases of my videos, books, and creativity courses, subscribe to my mailing list on this page. I promise I won’t spam you.

Have a wonderful day!

Vanessa

 

Dance of Seduction – IDEAS, from SPARK to FICTION

DANCE OF SEDUCTION - IDEAS, from SPARK to FICTION

Where do I get my ideas?

The original spark for DANCE OF SEDUCTION came from a secondary character I wrote in CATALINA’S LOVER, a novel set in the Andes mountains where the ghosts of the Inca still whisper. After finishing CATALINA, I’d intended my next book to be the story of the archaeologist in charge of the dig site my heroine Cathy was working on, Ricardo Swan.

Ricardo was Cathy’s long term colleague and potential love interest, and I was fascinated by the story possibilities of his origins as the son of a turbulent multi-cultural marriage, and his career as an archeologist.

But when I started searching for a hero for my archeologist, I soon ran into a roadblock, and it wasn’t until a surprise birthday party with other writers that I realized what the problem was.

I dedicated the book to my writer friends at Lynn O’Brian’s fabulous party, where Maria – Ricardo’s heroine – was born.

I hope you enjoy watching this video, and if you do,I’d love it if you’d subscribe to my YouTube channel and share the video with others. A “like” would come in handy as well.

If you’d like to learn about special offers and upcoming releases of my videos, books, and creativity courses, subscribe to my mailing list on this page. I promise I won’t spam you.

Have a wonderful day!

Vanessa

 

Creating Brilliant Beginnings in Storytelling

Discover the art and craft of brilliant beginnings in storytelling

Use Coupon JUNE_BB for 68% off until June 30, 2017

Welcome to Creating Brilliant Beginnings in Storytelling, where you’ll discover powerful techniques storytellers use to craft their opening sentences and empower your own beginnings.

In this course, you’ll discover the techniques storytellers use to stimulate reader – or listener – engagement, and the power of body language, dialogue, and narration.

Part 1 explores the use of power words and how to set the stage, appeal to the reader’s senses, and evoke curiosity.

Part 2 explores world-building, and the use of magic and mystery.   

Part 3 demonstrates revealing the story’s setting in time and place with a single sentence and demonstrates how a narrator’s internal voice can reveal emotion, and build characterization and conflict.

Each part concludes with a skill-building practice exercise.

I designed this course for storytellers who want readers to love their stories, but who struggle with creating a beginning to hook the reader.  The only requirement for enrollment is a willingness to learn.

Feel free to take a look through the course description and preview the free lessons.

I look forward to your joining the course.

Vanessa